output layer
2022
examines the concepts of desubjectivation embedded within the emergence of digitality. The piece explores how hypercapitalism exploits us by turning our bodies into sources for digital data extraction. The diagram creates a visual network to reveal the entanglements of political, social, and philosophical concepts in the 21st century, investigating connections between the
human body, internet culture, capitalist economies, the art market, economies of desire, and surveillance. Three videos
refer to and deconstruct the actual installation space as a 3D scan. One screen disguises the video through a 2-way mirror,
like the fabric, playing with the ambiguity of semitransparency, concealing information and at the same time animating to
take a closer look.Sound by Kyle Bates.
