signature strike constructs a hyperreality where the virtual and actual collapse, forcing a confrontation with a hostile liminal space defined by autonomous surveillance and transhumanist longing. Taking its title from AI-driven drone warfare, the exhibition maps the lethal profiling of the contemporary subject across a network of suspended epoxy sculptures, light, and sound. These industrial resin forms—transmuting from toxic liquids to solid plastic—serve as a metaphor for the radical reshaping of the body, while their parallax shadows transform the visitor into a complicit performer within the space.

The installation is underscored by a soundscape that utilizes the cadence of reality rap to narrate a transhumanistic escape from the hellscape of hypercapitalism. Within this field, smartphones are presented as politicized hyper-objects—intimate extensions of the self that simultaneously facilitate global data extraction and colonial exploitation. Centered around a genderless, cybernetic anti-portrait of the artist, the work subverts the framework of psychodrama to suggest a total collapse of subject and object. This infinite feedback loop reflects a society where historical trauma and digital intimacy are so deeply entangled that they have no discernible origin, offering an aesthetic stage for the impossible possibilities of a self emerging from systemic violence.